Let There Be Music!
Music of the Washington Artillery
believe we can have an army without music.”
Robert E. Lee 1864
There are numerous
examples of how music is a part of the Washington Artillery. During the 19th
century, the unit marched off to war in 1861 with the gala of pomp and
circumstance and still managed to incorporate music into their camp life
throughout the war in order to combat the stresses of military life.
From the very beginning of the war the men of
the Washington Artillery tried to maintain their reputation of culture and
compassion they originated in New Orleans. In a letter written home to the New
Orleans newspaper Crescent dated August 1, 1861, a member of Wheat’s
Battalion in Virginia wrote “August 24, 1861, the Washington Artillery in New
Orleans turned over $1280 as the result of a concert given to assist destitute
Henry H. Baker of 1st
Company wrote about the temperament of the unit in his post war booklet, A
Reminiscent Story of the Civil War. “No matter whether it rained or snowed,
the boys of the Washington Artillery, as a body, were unflinching, and no amount
of discomfort or hardship could break their spirits. Often when it was pouring
rain and the roads were deep with mud, the army would look with amazement as the
boys would pass along the road with a swing and dash so characteristic of them,
wet to the skin, singing one of their rollicking camp songs.”
Frank Labrano of First Company wrote in his
diary on September 10, 1862, “It was a clear day, reveille at 31/2 AM. Took up
our line of march at 8 AM, passed through Frederick at 9 AM, and by request of
Longstreet, the boys sang “My Maryland” and other patriotic songs passing
Their artistic skills were exhibited throughout
the war. They performed numerous performances of theater for both Southern
troops and civilians. At Petersburg Bartlett commented that “the amateur
performers gave entertainment – ‘Pocahontas’ and ‘Toodles’ - in the theatre of
the town, which drew a packed house, ladies not only from Petersburg, but
Richmond.” These talents came in handy to counteract the boredom of idle time
often found in winter quarters, which could be dangerous for the men’s morale.
All companies of the Washington Artillery loved
the art and past time of song even during the most trying times. One example of
the 5th Company’s coolness under fire occurred in Georgia. During the
Federal bombardment of Atlanta, enemy shells were bursting throughout the city
as it marched through. Suddenly Pvt. Louey Vincent, reared back in his saddle
and belted out a familiar tune at the top of his voice, “The watch dog is
snarling, For fear that Anne darling, My own true love, this night, be borne
away!” Then the entire company responded with the chorus, trying to drown out
the sounds of exploding ordinance.
McElroy of First Company was probably the most famous singer of the battalion.
He was described by Bartlett as “the lively and jovial man of the Battalion, and
probably never suffered a day from mental depression during the war. He had an
excellent voice, and there were but few towns in General Lee’s line of march
which were not made familiar, through him, of old New Orleans fireman choruses.”
the most famous tale of song involved the 5th Company in the trenches
around Jackson, Mississippi. The unit had taken a defensive position there
following the fall of Vicksburg in 1863. With the approach of Federals on July
the 11th the 5th Company opened fire on the enemy, which
was repulsed with heavy losses. During breaks in the engagement members of the 5th
Company, with bugler Andy G. Swain leading, sang and taunted the enemy with
their tunes. A piano, commandeered by members of McPeely’s Louisiana Pioneer
Company from a Confederate civilian’s house at the request of its owner prior to
the house’s destruction, was put to good use by members of the Washington
Artillery, singing “You Shan’t Have Any of Our Peanuts!” Between songs
one of their Federal prisoners, a wounded officer, asked them, “How can you do
so, when so many of your fellow men are dying all around you?” A sharp answer
was replied, “How can you come down and invade our homes and make war on
defenseless women and children?” The singing resumed.
Piano used by the Washington Artillery in the Trenches
of Jackson, Mississippi
(Confederate Memorial Hall Museum, New
According to Mr. William Hirian Duff, a veteran
of the 16th and 25th Louisiana Consolidated Regiment,
members of Company B, McPheely’s Louisiana Pioneer Company, of which he was a
member, was sent to protect an abandoned house from looting outside Jackson,
Mississippi in 1863. Unfortunately, the house was ordered leveled in order to
prevent Union sharpshooters from using it as a vantage point to fire into
Confederate lines. The lady of the house appealed to McPheely’s Company to save
her piano which they did, carrying it back to the Confederate trenches. On their
return from burning the house down, they found the piano put to good use by Andy
Swain of the 5th Company Washington Artillery.
In 1902 children of the
owner of that house and piano, William A. Cooper, donated the historic piano to
Memorial Hall museum in New Orleans, where it stands and is used still today.
(William H. Duff, “The Truth – A Piano in
Andrew Gardner Swain
(Confederate Memorial Hall Museum, New
Andrew Gardner “Andy” Swain was born in Ohio but raised in New Orleans. Although he was a member of
the old Washington Battalion, he delayed enlistment with them for military
service in the Civil War until March 1862. This may have been due to his
employment as a riverboat pilot when he enlisted with the 5th
Company. He used that profession for the Confederacy in 1864 to transport
ordinance for General Richard Taylor.
Andrew Gardner Swain
(playing the guitar in cdv on right)
Washington Artillery Sheet Music
composed and dedicated to Persifer Smith
(Smith helped E. L. Tracy organize the
Washington Artillery in the 1840s)
by J. T. Martin
"Washington Artillery Polka"
by Auguste Davis
dedicated to Captain James B. Walton
"New Orleans Military Polka"
by G. Ninieri, leader of the Washington
Artillery Brass Band
"Parade Polka March"
"Parade March and Quick Step"
New recruit Philip
Stephenson noted this aspect of the men of the 5th Company Washington
Artillery upon his transfer from an Arkansas infantry unit, “I found myself in
an altogether different atmosphere and among an altogether different type of
men. ‘Gaiety’ was the characteristic of these men-gaiety of spirit, talk, and
conduct, gaiety under all circumstances in camp, on the march, in battle,
freezing or melting, starving or stuffing, defeated or victorious.” “As to the
courage and reliability in battle or sharp emergency, … the battery boys would
go into a battle or come out of a battle with a song or a jest.”
was Saturday night in 1859, when Dan Emmett was a member of Bryant's Minstrels
in New York. Bryant came to Emmett and said: "Dan, can't you get us up a
walk-around? I want something new and lively for Monday night." At that date all
minstrel shows used to wind up with a "walk-around." The demand for them was
constant, and Emmett was the composer of all the "walk-arounds" of Bryant's
band. Emmett of course went to work, but he had done so much in that line that
nothing at first satisfactory to him presented itself. At last he hit upon the
first two bars, and any composer can tell how good a start that is in the
manufacture of a tune. By Sunday afternoon he had the words, commencing: "I wish
I was in Dixie." This colloquial expression was not, as most people suppose, a
Southern phrase, but first appeared among the circus people of the North. In
early fall, when nipping frosts would overtake the tented wanderers, the boys
would think of the genial warmth of that section for which they were heading,
and the common expression would be, "Well, I wish I was down in Dixie" became
the rage. The tune was adopted by the Southern cause and became a national
anthem of sorts. The tune became a mainstay of the Washington Artillery band up
to and including World War II.
The “Bonnie Blue Flag” (also known as the "Lone
Star Flag") is often linked to the Confederacy. Although the flag had its
origins long before any southern state seceded from the Union (being the flag of
the Republic of West Florida in 1810), it was the “Lone Star” flag’s use by
Mississippi following that state’s first week of secession from the Union in
1861 that linked the flag forever to the Confederacy. Irish-born actor Harry
McCarthy witnessed the raising of the blue secession flag over Mississippi and
was inspired enough to pen a song entitled “The Bonnie Blue Flag,” linking the
flag forever to the Confederacy. When the song was first played in New Orleans
before a mixed audience of Texans and Louisianans, it was received with an
outburst of approval that was nearly riotous. The song became one of the most
popular songs of the Confederacy, second only to “Dixie.”
William Miller Owen also
mentioned the singing ability of his men. While in winter quarters after the
battle of Manassas, “the sparkling wit, the song, the anecdote, accompanied by
hot punch, that drove dull care away, and brought oblivion of the snow, the mud
and the rain outside. Can we forget? Never! Thomas Rosser, with his “Dragoon
Bold,” Isaac W. Brewer, with his “Maryland, My Maryland!” while “Old Bob Wheat”
would contribute a roaring chorus.”
Jennie Cary had set Randall’s stirring poem of “Maryland”
to the air of “Lauriger Horatius” and added “My” to help aid the
rhythm of the music. The song became a favorite of Confederate sympathizers and
soon echoed as one of the most famous of the Confederate battle tunes. Jennie
sewed one of the first presentation Confederate battle flags for the Confederate
commanders at Manassas, her work of art going to General P. G. T. Beauregard.
The Lone Star
Flag sheet music, sung to the tune Bonnie Blue Flag, was dedicated
to General J. Bankhead Magruder, C. S. A. and written by Charles E. Caylat, a
private of 1st Company. It was published on September 19, 1863 in
Wilmington, North Carolina. Caylat, a clerk turned driver, was age 24 when he
(image courtesy Confederate Memorial Hall Museum)
Frank Labrano of First
Company transcribed fellow member A. G. Knight's new lyrics to one of the most
popular Washington Artillery camp songs, "UPI-DEI-DI", in his diary seen
above. The “UPI-DE” song was probably
the most popular of the Washington Artillery camp songs. The melody was taken from
either an old
college tune or British army song. Washington Artillerist A. G. Knight
of Second Company made some additions and the men of the battalion sang it for the first
time in winter quarters in 1862.
The shades of
night were falling fast; Tra-la-la, Tra-la-la.
The bugler blew
his well-known blast, Tra-la-la-la-la.
No matter, be there rain or snow, that bugler still is bound to
Chorus Upi-de-i de-i di!
Upi di! Upi di!
Upi de-i de-i di! Upi de-i di!
He saw as in their bunks they lay; Tra-la-la, Tra-la-la,
How soldiers spent the dawning day, Tra-la-la-la-la.
"There’s too much comfort there," said he,
"And so I’ll blow ‘The Reveille’."
On the fire he spied a pot; Tra-la-la, Tra-la-la;
Choicest victuals smoking hot; Tra-la-la-la-la.
Says he, "You shan’t enjoy that stew",
So "Boots and Saddles" loudly blew.
In nice log huts he saw the light, Tra-la-la, Tra-la-la,
Of cabin fires, warm and bright, Tra-la-la-la-la.
The sight afforded him no heat,
And so he sounded "The Retreat".
They scarce their half-cooked meal begin, Tra-la-la,
Ere orderly cries out, "Fall in!", Tra-la-la-la-la.
Then off they march through mud and rain,
P’rhaps only to march back again.
Soldiers, you are made to fight; Tra-la-la, Tra-la-la.
To starve all day and march all night, Tra-la-la-la-la.
Perchance if you get bread and meat,
That bugler will not let you eat.
Oh, hasten then, that glorious day, Tra-la-la,
When buglers shall no longer play, Tra-la-la-la-la.
When we, through peace, shall be set free
From "Tattoo," "Taps," and "Reveille."
A. G. Knight
in a post war cdv wearing his WA badge
Washington Artillery Brass Band
"The Tiger's March"
Battalion Washington Artillery
Lt. Col. J. B. Richardson riding his white
with band parading down Camp Street, New
(St. Patrick's Church can be seen in the
(photo courtesy John M. Fleming Collection)
"Beneath the Stars and Stripes"
dedicated to the Battalion Washington
by Sid J. Mullen
The War Song of 1916
Mexican Border Expedition sheet music dedicated to the Battalion Washington
by Ledeiska Forsythe
Sung to the tune "Maryland, My Maryland!"
Its lyrics included, "To Mexico, to Mexico,
We'll join the fray at Mexico.
Our men are known in East and West/ Lads
from our land can stand the test.
Let's all unite and prove the rest/ For our
Country's name America."
(image courtesy Louisiana State Museum)
Washington Artillery Band - World War I
141st Field Artillery Song
(Washington Artillery Song)
Played to the tune "I'm a Ramblin' Wreck
from Georgia Tech" the chorus sang,
"I'm a heluva, heluva cannoneer from the
141st, a heluva, heluva cannoneer from the 141st.
Like all good Field Artillery men I have a
heluva thirst, I'm a heluva, heluva cannoneer from the 141st!"
(image courtesy Louisiana State Museum)
more to come.....
performed by Echoes of Dixie)
Click on image for link